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Bibi HealBibi Heal
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Bibi Heal graduated from the University of East Anglia with a First Class degree in Music, and completed her postgraduate studies at the Royal Academy of Music. She went on to study with Graeme Danby and Jonathan Papp, and has been working recently in several private masterclasses with Dame Kiri Te Kanawa.

Her opera engagements include Mary Turner in Gershwin’s Of Thee I Sing and Let ‘Em Eat Cake, Handel Saul, Barbarina (Marriage of Figaro) and Street Child (The Pied Piper) for Opera North, Gretel (Tansy Davies’ Elephant & Castle) for Aldeburgh Festival, Princess Sophie in the premiere of Jonathan Dove’s The Two Hearts of Kwasi Boachi for Opera O.T. in The Netherlands, Euridice (Orfeo ed Euridice), and Dorinda (Orlando) for Ryedale Festival, Susanna (Marriage of Figaro), and Gretel (Hansel & Gretel) for Eastern Opera, and Barbarina (Le Nozze di Figaro) for Gstaad Festival alongside Barbara Bonney and Gerald Finley. Bibi has taken part in many collaborative projects, including Essence (Opera North / Walker Dance Park Music), Don Giovanni (Opera North / Kneehigh Theatre), Echo & Narcissus (Cathy Marsden / ROH2), and La Boheme (ENO). Other performances include Stephen McNeff’s The Names of the Dead with the Ensemble of Opera North for the Fuse Leeds 06 Contemporary Music Festival, Fairy in the Royal Ballet’s production of Mendelssohn’s The Dream at The Royal Opera House as part of the Ashton 100 Celebrations, Goodall’s Eternal Light for Ballet Rambert, and Lecture recitals with Professor Julian Johnson as part of the Philharmonia Orchestra’s 2009 Vienna: City of Dreams series.

Oratorio performances include Mendelssohn Elijah and Elgar The Apostles in the Barbican Concert Hall, Holst Choral Symphony in Glasgow City Hall, Brahms Ein Deutsches Requiem in Arundel Cathedral, Mozart Mass in C Minor in York Minster, Dvoràk Te Deum in Guildford Cathedral, Carmina Burana in Worth Abbey, Poulenc Gloria in Chichester Cathedral, Handel Messiah in Chichester Cathedral, Haydn Creation in St John’s, Smith Square, and Mozart Exsultate, Jubilate for Henley Festival. On the concert platform, recent performances include galas with the Royal Philharmonic Orchestra, Strauss Four Last Songs in Brighton Dome conducted by Paul Daniel, and Fauré Requiem in Westminster Cathedral with The Philharmonia Orchestra conducted by Pierre-André Valade. Forthcoming oratorio engagements include Mozart Requiem in St Edmundsbury Cathedral, Brahms Requiem in Portsmouth Cathedral, and Haydn Nelson Mass in Windsor.

Management:
Andrew Rosner
e: andrew@alliedartists.co.uk
t: +44 20 7589 6243
f: +44 20 7581 5269

Representation:
General Management Worldwide